Photographers who only shoot images for personal use that will never be published really don’t need a model release, but professionals or indeed any amateur who is publishing material for commercial usage should generally obtain a signed release from the model, where the subject consents to the usage of their image in various media as specified in the release. Continue reading
Model Agencies
I write about this subject in much greater depth in my nude photography eBook however here are a few points to bear in mind when approaching a model agency to organise a casting. Continue reading
Among the many topics discussed in my book, I touch on the subjects of finding the right nude models and locations for your intended projects. Take the image above done with my Hasselblad as a prime example.
This was shot as part of a series for a beauty fitness editorial in Italy, so first of all I needed a model with an athletic physique, but it was equally important to find a suitable location, so that it didn’t completely dominate the subject, but instead helped to create the desired feel for the whole set of images. Continue reading
Nude Photography In Movement
The above nude image is was taken as part of a beauty editorial I did in Italy on the coast of Tuscany with a beautiful white sandy beach. The model was a crazy Brazilian girl with a lot of personality and she was great fun. I remember we set out early that morning in a borrowed Alfa Romeo (which later broke down) together with another model from Iceland. Continue reading
Photographed above are a Mamiya 645 medium format camera withe a 31MP Leaf digital back and a Canon 1DsII with a 24-105L zoom. Both cameras have their pros and cons and I think it’s worth looking at what they both have to offer. Continue reading
Last week I found myself in touch with another photographer by the name of Ben Heys who is based in Australia and shoots quite a lot of nude photography. We starting talking about the business and during that conversation Ben told me about a site he has recently launched at artofimagery.com which includes a selection of his beautiful images. Continue reading
The image above was one that I originally did for a magazine editorial in Milan. I remember at the time how I had really struggled to find a good model as I travelled from one agency to another. Part of the problem was that I was brand new so none of the bookers were feeling any need to be particularly helpful to a new guy with no real history of big jobs. Continue reading
The above nude image was part of a beauty assignment I did in South Africa for an Italian cosmetics client. The team which flew out there must have been about ten people but not everybody was there to work directly on the photography.
This particular day had been extremely hectic, since we were unable to start as early as I would have liked and there had already been a shoot on the beach that morning with the same model followed by another shoot at a rented house nearby. It then took an hour or so in the mini van to reach the final location before we started the hard walk up to the waterfall. Continue reading
No photographer can expect to make a worthwhile improvement in their photography unless they learn how to successfully edit and choose their best images from every shoot. It is not only essential for the images you’re dealing with at that moment in time, but also for future work and that is why I devoted an entire chapter in my book to the importance of editing. Continue reading
Canon 24-105L
For many years 99% of my professional photography was all done using a Hasselblad and I still think they are beautiful cameras.
There are various jobs though which can be done very well using a good 35mm DSLR and my current weapon of choice for those occasions is the Canon 1DsII. I know there is a new 5DII and even a 1DsIII, but the fact is that I am happy with what I have and don’t want to upgrade my camera just for the sake of it every time a new camera appears on the market. I have done some serious side by side testing and in practice the differences are just too small to warrant a change and quite often the 1DsII still comes out best. Continue reading
